Although originally slated to be installed above the ceiling, the organ eventually found its home in a chamber at the rear of the stage. Drawing from experience gleaned from the two recent installations for the Detroit and Philadelphia orchestras, Joseph Whiteford placed the organ on a platform 12 feet above the stage in a chamber 50 feet wide, 11 feet deep, and 27 feet high. As a result of these space restrictions the lowest 5 pipes of the wooden 32' Kontra Geigen were mitred.
The organ was separated from the hall by a fine wire mesh to which was attached random-width wooden strips. When the stage lights were on, the organ was not visible from the auditorium. When the organ was desired to be seen, the organist had only to turn on the lights inside the organ. The lighting was often altered to mirror the organ's role in the music. Different divisions could be lit independently or the entire organ could be visible in all of its glory. The gold lighting and the blue rear wall complimented the golden seats and acoustical clouds of the hall.
Installation was originally slated for early 1962 so that the organ might be used on opening night of the new concert hall on Sept. 23. However, due to the delayed construction of the hall and several labor disputes, the organ was not completed until 1963, forcing the Philharmonic to use a two manual Allen organ for the first season.
When finally installed, the Great division was in the middle of the organ, the Positiv was slightly elevated to the right and the 32' Kontra Geigen could be seen on the rear wall. The organ was flanked on the right by pipes of the 16' Pedal Principal and on the left by the 32' Posaune. The three enclosed divisions were behind these two ranks.
The organ was quite successful for some time, being described in by Irving Kolodin (Saturday Review) as being "By far the best musical sound ever heard in Philharmonic Hall". When the hall was renovated as Avery Fisher Hall in 1976, the organ was removed and sold to the Crystal Cathedral in Garden Grove, CA to form the nucleus of the new five manual Ruffatti Organ.
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